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From Wikipedia: Geir Jenssen began releasing his music as Biosphere on obscure Norwegian compilation albums. 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He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. Patashnik was originally released by R\u0026amp;S Records\/Apollo in 1994. It was number 1 in NMEs Independent Chart in March 1994 and reached number 50 in the UK official album chart. The track Novelty Waves was used in Michel Gondrys Levis 501 Jeans \"Drugstore\" spot, and holds - according to the Guinness World Records 2004, the record for \"Most awards won by a TV commercial\". This reissue contains the bonus 12-track album Patashnik 2. AllMusic Review by Ned Raggett: One reason why Jenssens work stands out from the flood of early 90s ambient\/techno releases is his strong sense of the quirkily creepy -- not in an Aphex Twin mode, but in his own particular way. The contrasting samples of a child quaveringly saying, \"We had a dream last night,\" followed by a rougher sample saying, \"We had the same dream,\" gives opening number \"Phantasm\" an unsettling feeling. Intensified by the, on the one hand, pretty, on the other, disturbing music, buried synth strings and a soft pulse accentuated by clattering noises deep in the mix, it kicks off the striking Patashnik very well. Though not as openly dark as acts like Lull, for instance, Biosphere still has an edge which isnt just melancholic, its downright ominous at point. Theres the slow crawl of \"Startoucher,\" for instance, with its buried vocal snippets and deep bass drone, or the blend of the space signal atmospheres of \"Mir\" into the low, brooding intro to \"The Shield.\" Not everything is so shadowy, though; Patashnik is primarily a relax and chill listening experience, but not without its gentle high points. \"Novelty Waves,\" which became a crossover single in some quarters, has a good dancefloor sharpness to it even as Jenssen slyly sneaks in odd drones and samples through the mix. The opening snippet talking about an extraterrestrial disc jockey on \"SETI Project\" is good for a smile, as well as acting as a sharp lead-in to a fast rhythm track. 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Include three tracks from the time that have never been released on vinyl; ‘Flowers’, ‘Talking About Freedom’ and ‘Colours’, and come with four double sided art cards\/prints. At the time the album was recognised for its bold departure from the group’s sonic traditions. In the years since, it’s been continuously celebrated, with tracks like ‘To Build A Home’ reaching huge audiences with over half a billion streams to date. The band have performed sold out shows in some of the worlds most prestigious venues including Londons Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House and festivals such as Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances. Their latest album ‘To Believe’ in 2019 debuted at a career high #19 on the Official UK Album Chart and was #1 on the UK vinyl chart. Dealing with themes of loss and love - and in itself representing a kind of absence - \"Ma Fleur\" is fertile ground for Swinscoe and long term collaborator Dominic Smiths brand of music-making, for while people rightly have talked about what they do in terms of jazz, the truth is that the basis of their music has always also been in raw emotion. From the achingly beautiful opener \"To Build A Home\" to the finale, \"Time And Space,\" this is an album which reaches for and finds a truth and honesty far beyond what we would normally expect from such a record, but without losing any of the accessibility which made the band popular in the first place. 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