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It was completed in 2025 and features his wife Marie-Claire, award winning folk artist Jackie Oates and producer Nick Holton.In October last year Tucker wrote some words about what the album was and how it all began- “...The Little Prince by way of the pen of Antoine de Saint Exupéry said ‘Draw me a sheep’ and I said to the the Little Prince ‘Dream me a dream’ overheard by Nick HOO (Big Potato Nick) who said ‘Record me a song’ so I recorded a song and then one or two more and just like that whip crack away and snap dragon fingers we had an album and just like that pump up the jambalaya and kick the chandelier Nick’s got the tracks mixed and mastered and pressed into 12” discs that say hallelujah and great balls of fire on the cover and that’s all I’m going to say about the outer wheels of this wagon as it rolls into your life the inner clockworks too intricate and deep to make language suffer so if you want more go to the Little Prince ask him to draw you a Dream of Now and Memory…” T. Zimmerman 14\/10\/25 Tucker embraced and re-discovered the electronica adventures of his younger self (Over Here In Europe \u0026amp; Words Games). Some of these songs date back to the sixties but most were written while recording during two sessions in 2024\/25. His performances of them, in his garden studio in rural Liege are exquisite. Tucker leapt into mixing up sparse banjo\/violin\/swirling organ arrangements on some tracks with orchestral Moog, analogue synths and processed piano backings on others. Musically, it is a wonderful departure in every sense. Tucker was in his eighties and this LP sounds like nothing else he recorded. 'Sun In Scorpio' is a deliberately delicate slow opener, creating beautiful spaces for gently plucked synths and melodic bursts. In contrast, the title track 'Dream Me a Dream’ - based on his poem from his first book When In Flows The Sea - is lovely intimate folk with plucked banjo, roomy backing and violin. 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2020.\u003cbr\u003eFour of the works included here were originally released on cassette tape early on in the label’s history, while the two remaining pieces were presented by the label for the first time on this compilation.\u003cbr\u003eThis record is released in conjunction with reissues of XKatedral Anthology Series II-III.\u003cbr\u003e\u003cbr\u003eThe works Ir Himinn, Grooenn by Kristofer Svensson, Disquiet (Heart) by Marta Forsberg and Lamé by Isak Edberg were first released on the cassette tape compilation XKatedral Volume II in 2016.\u003cbr\u003eSvensson’s piece from 2014 combines gamelan percussion and prepared piano intricately interwoven in a way that obscures the boundaries between the two instrument groups.\u003cbr\u003eForsberg and Edberg’s pieces both use a monolithic form to explore the timbral and harmonic spaces provided by the Düben Baroque organ situated in Tyska Kyrkan in the oldest part of Stockholm.\u003cbr\u003eWhile similar in terms of instrumentation the two works differ formally - Edberg’s Lamé composed in 2010 uses the registers of the organ to articulate a seamless spectral transformation while Forsberg’s Disquiet (Heart) from 2014 deals in blocks of sound with a varying degree of opacity, saturation and intensity.\u003cbr\u003e\u003cbr\u003eGlory for two electric guitars by Caterina Barbieri and Kali Malone was composed and recorded in Tempo Reale in Florence, Italy, and was originally released on the cassette tape compilation XKatedral Volume III in 2016.\u003cbr\u003eThis music takes the form of an ever-evolving hypnotic pattern shared by the two instruments articulated through an additive and subtractive canon.\u003cbr\u003e\u003cbr\u003eDissolving Ceremony, composed in 2012 by Edberg\/Erlandsson\/Lisinski, was first presented publicly on the self-released record Stratum.\u003cbr\u003eThe music contained in that release was formed from a collection of gamelan percussion instruments augmented by two sets of live-electronic instruments tuned to the harmonic framework formed by the partials of the metal percussion.\u003cbr\u003eOriginally positioned in the center of the record running order between two long monolithic process-based pieces, Dissolving Ceremony now stands on its own as a memory of a time and methodology from the not so distant past.\u003cbr\u003e\u003cbr\u003eThe newest piece in this set is Shipwrecks by Daniel M Karlsson.\u003cbr\u003eWhile this work is a recent one Karlsson should be considered one of the forerunners of the musical expression contained within this record set.\u003cbr\u003eActive within new music for two decades his strongly articulated musical ideas and constantly evolving craftsmanship has resulted in an enormous body of work, and has served as an inspiration for many of his fellow composers.\u003cbr\u003eThis piece is a celebration of transposition and its immense capacity for timbral transformation using a vast array of instruments performed, recorded and electronically treated by the composer to form a liquid uncanny topography where a deeply personal harmonic language constantly shifts, slides and shivers.\u003c\/p\u003e","brand":"XKATEDRAL (IDEOLOGIC ORGAN)","offers":[{"title":"Limited Edition Standard Black Vinyl","offer_id":53558023160135,"sku":"TRI-71922","price":42.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9779\/5655\/files\/848ff3d8bf7915e7dcc494ad0fb045e8.jpg?v=1774875660"},{"product_id":"various-artists-xkatedral-anthology-series-ii-an-anthology-of-slowly-evolving-timbral-music","title":"Various Artists - 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