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Twelve brand new tracks of cinematic crime funk, psychedelia, and hypnotic groove that don’t accompany Ellroy’s world so much as inhabit it. The soundtrack’s move through Ellroy’s fictional and real-world mythologies with deliberate precision. Stylistically, the album finds Calibro 35 in their most natural yet most cinematic state: crime funk, psychedelia, and hypnotic groove pushed into darker, more narrative-driven territory by the weight of Ellroy’s world. From the gloomy, suspense-laden groove of the opener Black Dahlia to the evocative closing piece Moonlight Sonative, the album unfolds as a complete cinematic arc, showcasing Calibro 35 at their very best. L.A. Confidential delivers a super-suspenseful, thrilling tension that feels like a chase through neon-lit streets, while Riots erupts into explosive cinematic funk, capturing chaos and urban unrest in full force. 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Since then they have carved out a steadily escalating reputation for bone-rattling, mosh-ready live shows. Come \u003cbr\u003eAnd See pushed their lyrical chops and curious, socially-exploratory outlook to the fore too, platforming songs about digital angst and IRL \u003cbr\u003eterror in the modern world. \u003cbr\u003eThe quintet’s superb second album might be called Nobody’s Coming To Save You, then, but it could easily be subtitled ‘harder, better, \u003cbr\u003efaster, stronger’. Recorded at Donegal’s Attica Studios and Holy Mountain Studios in London with producers Mark Bowen of Idles and \u003cbr\u003eLoren Humphrey (Geese, Cameron Winter), alongside engineer Chris Fullard (Idles, Sunn O))) and world-renowned mixer John Congleton \u003cbr\u003e(St. Vincent, Modest Mouse, Swans), the crack team that readily assembled for LP2 speaks volumes of its quality from the off. This is \u003cbr\u003eGurriers taking all the musical chemistry and smart, interrogational worldview that made them great in the first place, and souping it up to \u003cbr\u003ethe next level. \u003cbr\u003eFrom the rattling tension of the title track’s opening moments that then give way to a cacophonous, cathartic climax, Nobody’s Coming To \u003cbr\u003eSave You takes this spirit of the sweaty basement venue and turns it stadium-sized. It’s not just loud, but dynamic. ‘Shades’ takes shards of \u003cbr\u003eindustrial, angular guitar and sends them into a gnarly hardcore chorus, while ‘Drones’ is a true pressure-cranking slow build with a drop \u003cbr\u003edestined to decimate every mosh pit they travel through. On ‘Pins’, they explore a looser, more melodic swagger that comes on like a \u003cbr\u003egrunge\/ trip-hop hybrid, whereas ‘Party Lines’ is pure insatiable dance-punk hedonism. 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