3 LP LP Tracklist LP One: Side One 1. “Second Hand News” 2. “The Chain” 3. “Don’t Stop” * 4. “Dreams” * Side Two 1. “Oh Well” * 2. “Rhiannon” 3. “Brown Eyes” 4. “Eyes Of The World” LP Two: Side One 1. “Gypsy” 2. “Love In Store” 3. “Not That Funny” Side Two 1. “Never Going Back Again” * 2. “Landslide” * 3. “Tusk” LP Three: Side One 1. “Sara” * 2. “Hold Me” 3. “You Make Loving Fun” 4. “I’m So Afraid” Side Two 1. “Go Your Own Way” 2. “Blue Letter” 3. “Sisters Of The Moon” 4. “Songbird” * Previously Unreleased LOS ANGELES – Live recordings from Fleetwood Mac’s two sold-out shows at The Forum in 1982 during the Mirage Tour will be featured in a new collection from Rhino. Mirage Tour ‘82 will be available from on September 20 in 3LP, 2CD, and digital configurations. On the same day, a special crystal-clear vinyl edition will be available exclusively at Amazon. This 22-track live collection features six previously unreleased recordings from the October 21, 1982 show, including favorites like “Landslide,” “Don’t Stop,” and “Never Going Back Again.” The other songs were recorded at the October 22 show and have appeared on various releases through the years, including Live Super Deluxe Edition (2021), Mirage Super Deluxe Edition (2016) and the 1983 concert video Mirage Live. In September 1982, Fleetwood Mac embarked on a 31-city U.S. tour in support of Mirage, the band’s fourth consecutive multi-platinum album and third No. 1 in America. Both shows at The Forum were recorded, and Mirage Tour ‘82 combines songs from both into a single concert experience. Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham, and Stevie Nicks were at the height of their collective power at these shows, delivering a hyper-charged setlist filled with hits new and old. Standouts include “Songbird,” “Oh Well,” “Love In Store,” “Go Your Own Way,” and a version of “Landside” for the ages. In the set’s liner notes, music journalist and songwriter Bill DeMain calls the collection “a riveting listen” and a reminder of a time when rock shows “were platforms to expand and reinvent songs for the stage, to let them breathe, to unleash different, wilder sides of a band.”
