Having released three albums in Welsh and Cornish, ‘Utopia’ is Gwenno Saunders’ first album recorded predominantly in English, and presents a very different side to her life and songwriting.
Forty-three years into her life, Saunders has been many people.
The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes.
There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub.
Long before she would become an acclaimed solo songwriter in both Welsh and Cornish, a winner of the Welsh Music Prize, a nominee for the Mercury, a Bard of the Cornish Gorsedh, there were the days of Nevada, London, Brighton; of Irish dancing, techno clubs, messiness and chaos.
‘Utopia’, Saunders’ fourth solo album, is an extraordinary exploration of all of these selves.
If the singer regards her first three solo records — 2014’s Y Dydd Olaf, 2018’s Le Kov and 2022’s Tresor as “childhood records”, rooted in her upbringing, her parents, her formative identity, then Utopia captures a time of self-determination and experimentation.
These are songs of discovery, of the years between being someone’s daughter and becoming someone’s wife and someone’s mother.
They range from floor-fillers to piano ballads, via contributions from Cate Le Bon and H.
Hawkline, and encompass William Blake, a favourite Edrica Huws poem, and the Number 73 bus.
It is her finest work to date.
